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For anybody who thinks that Germans were all willing or silent co-conspirators during the dreadful years of World War II, The Last Days of Sophie Scholl is a powerful and apparently accurate narrative of youthful martyrdom, a story that is redemptive for Germans.
Jo Dirks looks at a new film on the life of Dietrich Bonhoeffer.
Tolkien’s epic resists allegory, but Dorothy Lee found it open to mythological and spiritual exploration.
Penelope Buckley reflects on Aileen Kelly’s City and Stranger.
Theatre critic Geoffrey Milne took time off this summer to write two books on Australian theatre. What has drawn him into theatres more than 100 times a year over the past three decades—as a journalist and as a theatre historian? His excuse is that his university teaching demands close acquaintance with actual performances. But that’s not the whole story.
Moira Rayner traces the sorry history of Australia’s anti-corruption bodies
Robert Hefner sees more than just coincidence in these weather patterns.
Letters from Marg Honner, Anthony Ham, Matthew Albert
Peter Porter is one contemporary poet who breathes new life into existing works of art by letting them speak in the language of poetry
As elegant and practical and liberating as they are, why on earth did bicycles take so long to invent?
Peter Rodgers on where cricket is heading.
In drought-ravaged, impoverished Niger, slavery is still a way of life for many.
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